Nile Mosaic of Palenstrina


The following page is taken in whole from s8int.org Please visit their site for more amazing out of place artifacts that challenge the evolutionary/old earth paradigm.


Nile Mosaic of Palestrina

Palestrina Mosaic

I was in the library this week poring over literally thousands of pages of early Roman art, including the art of 1st century Pompeii. I spent this time in the library after spending weeks trying to find more copies and higher resolution photos of the pieces being presented here online.

If and when I did find them, in the great majority of cases the representations of the art had been cropped so that the “offending details” had been eliminated. Other companion works were often shown in their entirety and often in higher resolution, but these were not.

Although these art masterpieces should be easy to find—they are not. As you look at the evidence s8int.com presents here, remember that the keepers of the evolutionary paradigm did everything overtly or subtlety possible to keep us from seeing them. That might tend to lend them additional credibility as evidence supporting interaction since there would be no need to surpress or deny information which does not threaten the paradigm.

The Nile Mosaic of Palestrina and the hunting mosaic from the “House of the Physician” are incredible works that should be well known to the public in their entirety, but if in fact they were well known, they would be very controversial with respect to the evolutionary timeline.

What we really wonder about is; with respect to the powers that be who conspire to keep this information out of the public eye, do they themselves manage to maintain the belief that dinosaurs and man never coexisted—or is it just the great unwashed true believers out there who have the pure religion? Is the power of denial really that strong?

What we do know is that whatever we do stumble upon here at s8int.com or whatever anyone else discovers is just the tip of the iceberg.

The Nile is not just a river in Egypt.

The Nile is the longest river in the world, stretching northwards for approximately 4,000 miles from East Africa to the Mediterranean. In addition to Egypt, it flows through the African countries of Sudan, Burundi, Rwanda, DR Congo, Tanzania, Kenya, Uganda, and Ethiopia,. Nilotic art like the first century Nile Mosaic of Palestrina detailed life along the Nile.

Nile Mosaic of Palestrina crop1“The vast Nilotic mosaic (21.3 x 17.3 feet) set into the floor of the apsidal hall adjacent to the sanctuary of Fortuna Primigenia at Praeneste (Palestrina) provides important evidence for what Roman triumphal paintings using topographical conventions may have looked like.

On the mosaic, the Nile winds past vignettes representing exotic landscapes and settlements; the more recondite details are carefully labeled in Greek, underscoring the Alexandrian source of the genre. The precise nature of the relationship between the mosaic and cartographic practices is controversial.

Recently the Palestrina mosaic has been interpreted as an actual topographic map of the Nile: the upper part of the mosaic represents Ethiopia, the upper zone of the lower section represents Egypt, and the foreground represents the Delta, top to bottom understood as south to north, the standard convention for ancient maps.

More likely, however, the mosaic provides a large, coherent landscape composition of the Nile during the flood season, nevertheless dependent on topographical conventions”.( Meyboom )


Dinosaur Art From the House of the Physician-Mid First Century A.D.

“Pompeii is a ruined Roman city near modern Naples in the Italian region of Campania, in the territory of the commune of Pompei. It was destroyed during a catastrophic eruption of the volcano Mount Vesuvius on 24 August 79 AD.

pompeii

"Hunt" mosaic discovered in the House of the physician in Pompeii, Rome

Hunt Mosaic from Pompeii

"Hunt" mosaic discovered in the House of the physician in Pompeii, Rome

The volcano buried the city under many metres of ash and it was lost for 1,600 years before its accidental rediscovery in 1748. Since then, its excavation has provided an extraordinarily detailed insight into the life of a city at the height of the Roman Empire”……Wikipedia

Nile River Crocodile

Nile Mosaic

When the images are discussed, it is within academia, not with the general public. The apology given for the oversized reptiles is that they are simply nile crocodiles. This is not the case. As we will show, the crocodiles on these Nile works were rendered realistically and accurately as shown in this rendering from the Nile Mosaic on the right.

Note that in the image on the left, and in the complete mural below a man is battling a reptile taller than himself with a shield and a spear. Compare the man, the dinosaur and the building at the center of the image. The creature on the right has a dermal ridge, unlike a crocodile but exactly like certain dinosaur types which might be safer to sit astride as we will explore below.

"Hunt" Pompeii Mosaic

"Hunt" Pompeii Mosaic

 

Low stature, armored dinosaur comparison

Low stature, armored dinosaur comparison

There are many armored dinosaur types that fit this reptile portrayal at least as well as the crocodile. Most of them had “low slung” bodies with heights of six feet high or less. One can make up his/her own mind but the hunter astride the reptile is between “plates” on its bck. In addition to the examples shown here, other candidates can be seen by following this link.

Another denial tactic is to label the dark skinned peoples in these mosaics as pygmies (to account for reptile towering over native). However, authorities on Roman art note that its not just blacks who are made diminutive in Roman art but that it was a way of making the Romans seem superior.

 

African-Roman Hero, Hercules. Fresco, Imperial Roman Pompeii

African-Roman Hero, Hercules. Fresco, Imperial Roman Pompeii. Hercules stands beside the enthroned Lydian Queen Omphale

Not only blacks were diminutive in the pieces, white or light skinned persons were dwarfed as well. As a matter of fact, Snowden, in his book “Before Color Prejudice” makes note of the egalitarian nature of the Roman civilization, and apparent lack of color discrimination, using examples from ancient Roman Art; many works showing scenes involving both dark skinned and light skinned citizens.

With respect to the three pieces found at the House of the Physician, all portray light skinned and dark skinned dwarves.

This includes “Judgment of Solomon”, (NOT SHOWN) which depicts the Jews as dwarfed and as both dark skinned and light skinned peoples.

The work below is also first century, from the House of the Physician at Pompeii.

 

from the House of the Physician at Pompeii

From the House of the Physician at Pompeii

 

 

 

Continue to Part 2 >>>

 


Also View:

Dinosaurs in Literature
Dinosaurs Among Men Video Clips
Dinosaur Animation